“The blazing Romanticism of this gold, green and purple visionary scene belies any misconception that Monet simply painted what he saw or was a relaxed celebrant of leisure. Even the morally fervent Victorian critic Ruskin might have been moved if he’d seen that medieval church glowing on its hilltop in the mystical sun. He would have seen this as a religious work, and perhaps it is. Monet steps out from behind his easel, to share deep emotions with us. He uses colour expressively, dives imaginatively into this spectacular piece of Normandy coastline where a deep gorge separates us from the church. Does that abyss symbolise a gulf between him and God, or between modern life and a simpler past? This is a sublime revelation of Monet’s inner turbulence.” — The Barber Institute of Fine Arts, University of Birmingham
FROM THE SEATTLE TIMES “IT PROBABLY SHOULDN’T come as a surprise that Ella Shepard Bush got lost in the fogs of art history. The same has happened to many other women artists, before and since. But in her day, Miss Bush — as she was always known — was at the heart of Seattle’s budding art scene.”
Titled Sailing, or Sailboats in a Harbor, this is a pastel on paper attached to a board by artist Jonas Lie, who lived from 1880 to 1940. I love using pastel. You can do a lot with the medium, as evidenced in this beautiful work by Mr. Lie. I encourage anyone to give pastels a try. I prefer the “wet” ones with oil rather than the dry.
This group has just kicked off its 2022 Summer Challenge. I sometimes come off as an abrasive jerk. (I am a natural curmudgeon and hermit.) So I like to remind myself to be nice to people, or at least try. This non-profit is one of the ways I do that.
”Mixing her father’s negatives from the Great Depression with pictures taken on her iPhone, the master printmaker created a series of photopolymer gravures that expand the concept of family memorabilia.”
I find this fascinating.
“Photogravure belongs to the intaglio family of printmaking. It consists of capturing an image on a plate that is printed by pressure through an etching press. Deceptively simple in theory, it is a photomechanical process of tactile delicacy and painstaking craftsmanship.”
I love her enthusiasm.
“There’s all this digital work that I love, but I really missed the physicality of making a print. With photopolymer gravures, you’re getting your hands inky and with those big prints… Oh boy! It’s so incredible and physical! You have to keep moving in order for everything to not smudge. You have to do everything very gingerly.”
Read more about the artist, Vaune Trachtman, at The Justice, an independent student newspaper at Brandeis University in Massachusetts.
A chance encounter brought a father and daughter back together again, sparking an extraordinarily moving journey of love and forgiveness in the face of mental illness, homelessness, and hardship.
While documenting homeless people on the streets of Honolulu, Diana Kim came across her own father. The man who she remembered abandoning her as a child was now homeless, unwashed, dressed in rags, and extremely thin.
Worst of all, he didn’t even recognize her. Read more about the emotional story to discover what happened next.