Inspiration

Forgotten women artists

Marie-Gabrielle Capet, Self Portrait (1784)The wonderful and hard-working Ghaddra sent me this. It is about forgotten women artists, a series by the Journal of Art in Society. In this case, the focus is on a woman named Marie-Gabrielle Capet.

Marie-Gabrielle Capet, who painted the self-portrait to the left in 1783 or 1784, was a Frenchwoman from the city of Lyon.

“She came from humble beginnings, with both parents being servants. Little is known of her childhood, but it seems clear that she demonstrated considerable artistic ability from a very young age…”

I am amazed by her talent. At some point she moved to Paris.

Capet “attracted the attention of one of the great ladies of French painting, Adélaïde Labille-Guiard, who accepted her as a student in her studio. Marie-Gabrielle soon took precedence over Adélaïde’s numerous other female protégés. There were nine of these in total, collectively referred to as Les Demoiselles, and they included the talented Marie-Victoire d’Avril and Marie-Marguerite Carreaux de Rosemond.”

A highlight for me was a painting by Adélaïde — a self-portrait — in which she included two of her students, one being Marie-Gabrielle Capet.

I encourage everyone to look through the Journal of Art in Society for some great inspiration.

Thank you, Ghaddra, for sharing! Or should I say: ¡Gracias!

I love Spanish. It is such a beautiful language.

aaronjhill
blog editor and path with art ambassador
blog@pathwithart.org

Painting

Paulette paints Jimi Hendrix

This is a painting I made in a painting-from-a-photograph class with Pamm Hanson. I am a fan of Jimi Hendrix since I was a teenager. I have been trying to draw and paint his likeness for close to 50 years with no success. I learned a lot in this class and I feel as though I might be getting closer to my goal of capturing his essence in a painting or drawing.”
— student artist Paulette

Inspiration

Feathers of cobalt blue

Artist Gizem Vural, who is from Istanbul and lives in New York City, is featured in the Spring 2021 issue of Audubon magazine. She has been busy creating images of blue jays. The cobalt blue plumage wooed her. “This specific hue that the blue jay has mesmerized me.”

“For inspiration, Vural looks to abstract artists such as Paul Klee, Agnes Pelton, and Julie Mehretu. John James Audubon is a new influence, creative and otherwise. ‘When I found out about his work I fell in love. I have so much interest now in birdwatching.’”